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Conservation studio


Boeijink & Boekel Schilderijenrestauratie
Tingietersweg 87 (Waarderpolder)
2031 ER   Haarlem
The Netherlands

phone: 0031 23 551 49 93
mobiel: 0031 6 51355991
e-mail: info@schilderijenrestaurator.eu

Kvk nr.: 33169480

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Nico Boeijink
Conservator of paintings and polychromes
- Registered with the Conservation Registry
- Trade Interest group for conservators Restauratoren Nederland www.restauratoren.nl
- I.I.C. Nederland  www.iiconservation.org
- I.C.O.M. (The International Council of Museums)  http://icom.museum

Nico Boeijink has worked as a conservator for museums, company art collections and private clients, since 1980. From 1987 till 2003 he worked as a consultent/ conservator for “Stichting Museaal en Historisch Perspectief Noord-Holland”. He was manager of several large projects of preservation for museums in the province of Noord-Holland, and responsible for the quality of the work.


 
Rob Boekel
Conservator of painings
- Trade Interest group for conservators Restauratoren Nederland www.restauratoren.nl
- I.C.O.M. (The International Council of Museums)  http://icom.museum

Rob Boekel worked as a conservator and expert in the field of collection care for “Museaal en Historisch Perspectief Noord-Holland” from 1993 to 2003. He was executor in several large preservation projects. He has worked as a conservator on many paintings for museums in the province of Noord-Holland.



 


 
Cooperation

We want to guarantee continuity and quality in large projects. That’s why we work in close contact with other conservators in the Netherlands and abroad. We have done projects together with Drs. Edwina Brinckmann Rouffaer from the Netherlands, Dr. Erma Hermens from Glasgow, Scotland and Ms Petra Koen from Denmark.
Much experience was gained through mutidisciplnary cooperation with conservators of furniture, textiles and paper.

We have at our disposal a vast network of conservators with different specialisms; so not only are we capable of making an inventory of the need for preservation of your collection of paintings, we are also able to form a team, capable of drawing up an inventory of the totality of your collection. Larger collections can be inventoried by a so-called quick–scan to permit a general description of the situation in a short period of time.
   
   

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